Manchester & Salford Anarchist Bookfair 2013

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At the People’s History Museum, Saturday 23rd November, 10am – 4pm. For more information, see here. Here’s a short selection of stalls that will be there on the day (click here for the complete list):

Hand Job Zine
http://handjobzine.wordpress.com

We are a DIY literary zine that collects writing and illustration from around the UK, trying to give a voice to many people with opinions and beliefs that are shunned or undervalued by a lot of the mainstream literary journals and magazines. We present it as an anarchist zine, but as long as people have an interesting idea we will put it in there.

Manchester Social Centre
http://manchestersocialcentre.org.uk/
https://www.facebook.com/ManchesterSocialCentre

There has been a growing need for a radical community hub in the years since Manchester’s last social centre, The Basement, was closed due to flooding. Manchester Social Centre aims to fill this void by reclaiming space and services within the city and turning it into a ‘corporate free’ sanctuary for the community. We want to create a space for local activity and interaction, enabling groups to hold meetings and events at low cost, for members to share resources, develop and form links with other groups, and providing an accessible means for the people of Manchester to unite and share in positive radicalism.

News From Nowhere
http://www.newsfromnowhere.org.uk
https://www.facebook.com/newsfromnowherebookshop
39-year old Radical and Community Bookshop based in Liverpool. All subjects covered in a subversive way. A workers’ co-operative run by a women’s collective – shop with the real Amazons!

STRIKE! Magazine
http://www.strikemag.org
STRIKE! is a radical, quarterly newspaper – we deal in politics, philosophy, art, subversion and sedition. Each issue we gather together a group of high-grade artists and authors, give them a theme, and let them get creative with it. It’s a magazine, it’s a journal, it’s a carnival.

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KOCHUU (2006) and The Pruitt-Igoe Myth (2011)

Back in January this year Arch Daily compiled a list of 30 must-see architecture documentaries. Most of their choices focused on specific architects, so Herzog & de Meuron, Gaudi, Eames, Foster, Loos, Koolhaus and Gehry are all covered. But there were two in particular on the list that stood out, partly because they drew inspiration from wider movements or urban environments to create their own narratives:

KOCHUU: Japanese Architecture / Influence & Origin (2006) by Jasper Wachtmeister

“…a visually stunning film about modern Japanese architecture, its roots in the Japanese tradition, and its impact on the Nordic building tradition. Winding its way through visions of the future and traditional concepts, nature and concrete, gardens and high-tech spaces, the film explains how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions.

KOCHUU, which translates as “in the jar,” refers to the Japanese tradition of constructing small, enclosed physical spaces, which create the impression of a separate universe. The film illustrates key components of traditional Japanese architecture, such as reducing the distinction between outdoors and indoors, disrupting the symmetrical, building with wooden posts and beams rather than with walls, modular construction techniques, and its symbiotic relationship with water, light and nature.

The film illustrates these concepts through remarkable views of the Imperial Katsura Palace, the Todai-Ji Temple, the Naoshima Contemporary Art Museum, the Sony Tower, numerous teahouses and gardens (see link below for complete list), as well as examples of the cross-fertilization evidenced in buildings throughout Scandinavia, and shows how ‘invisible’ Japanese traditions are evident even in modern, high-tech buildings.”

and The Pruitt-Igoe Myth: An Urban History (2011) by Chad Freidrichs

“It began as a housing marvel. Two decades later, it ended in rubble. But what happened to those caught in between? The Pruitt-Igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.

At the film’s historical center is an analysis of the massive impact of the national urban renewal program of the 1950s and 1960s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries. Those left behind in the city faced a destitute, rapidly de-industrializing St. Louis , parceled out to downtown interests and increasingly segregated by class and race. The residents of Pruitt-Igoe were among the hardest hit. Their gripping stories of survival, adaptation, and success are at the emotional heart of the film.

The domestic turmoil wrought by punitive public welfare policies; the frustrating interactions with a paternalistic and cash-strapped Housing Authority; and the downward spiral of vacancy, vandalism and crime led to resident protest and action during the 1969 Rent Strike, the first in the history of public housing. And yet, despite this complex history, Pruitt-Igoe has often been stereotyped. The world-famous image of its implosion has helped to perpetuate a myth of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. The Pruitt-Igoe Myth seeks to set the historical record straight. To examine the interests involved in Pruitt-Igoe’s creation. To re-evaluate the rumors and the stigma. To implode the myth.”